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The lead character is a professional wedding photographer, which allows the movie to justify multiple cameras on the action and helps overcome some of the technical barriers a normal family would have access to at the time. Taking place mostly in the 1980’s, directors Henry Joost and Ariel Schulman employed a number of post-production techniques to make the film feel as if it was shot on a prosumer video camcorder. These bumpers bookend a prequel that tells the original story of “Toby,” the demon that is connected to the sisters throughout their lives in the franchise.
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Instead of continuing the story right after Paranormal Activity 2, the movie begins and ends with the main sisters of the series finding a box of old tapes and reminiscing about growing up together. However you feel about the first film, you can’t deny that there is definitely something different and more thoughtful about the third entry in the series. After becoming a hit on par with The Blair Witch Project, the film quickly built up a base of detractors for various reasons, but still, the sequels started being pumped out every Halloween and would become a staple of the season for general audiences. When the first film began its unique city by city release – based on an online voting system – you didn’t have to look far for someone excited to get a glimpse of the movie. It’s hard to remember a time when the Paranormal Activity franchise wasn’t a household name, and many horror fans have long lost their taste for the series. Definitely check out the original first and foremost for at least one example of foreign films executed much better than their eventual American remakes. The remake – under the international title Quarantine – is famous for nixing the entire twist ending and stars Jennifer Carpenter as the lead reporter who rushes into an apartment building with her cameraman, hoping to catch a newsworthy story. One of the many Spanish horror films to be remade for an American audience, REC is still passed around by fans committed to having the original stand as the preferred telling of the story. Not everything is what it seems, and the third act moves things completely out of predictability. Known for creating an intensely claustrophobic atmosphere, the real star of the movie is its twist on the whole viral/rabies/zombie infection concept.
The film was a major hit with critics from the start and had an unusually successful film festival run before getting a wider release. Shot in Barcelona, Spain, and released in 2007, REC shows what the genre is capable of in the right hands, those hands being extremely talented directors Jaume Balagueró and Paco Plaza. This has lead to some incredibly bad and surprisingly good movies over the past seventeen years as studios try to recreate the phenomenon that this film started right before the turn of the century. The Blair Witch Project is one of the first films to show studios that they can make an extremely effective horror movie for next to nothing and open huge to a wanting audience. The movie was shown at the Sundance Film Festival that year and almost immediately bought by Artisan for a reported $1.1 million. They set out to combine the styles and create something new and did so on a shoestring budget of only $35,000. Directors Daniel Myrick and Eduardo Sanchez came up with the idea originally because they found that documentaries about the paranormal were sometimes much more frightening than recent horror films that had released and disappointed. Visit Ben Kendrick's website for info on his fiction work, follow him on Twitter or check out what he's doing now over at Rise at Seven.This story structure would be copied by so many other films in the genre and is one of the reasons the producers set out to make this movie to begin with. Thanks to a background in fiction writing, Ben is drawn to films that make story and character a priority however, that doesn't stop him from enjoying a range of Hollywood offerings - from blockbuster action flicks to campy so-bad-they're-good B-movies. A graduate of the New School’s Master of Fine Arts in Creative Writing program, Ben has been passionate about movies ever since standing in line for a midnight showing of Indiana Jones and the Last Crusade when he was eight years-old. He is a member of the Denver Film Critics Society as well as the Online Film Critics Society - with work referenced, cited, or syndicated on CNN, Wikipedia, Huffington Post, Rotten Tomatoes, IMDB, Yahoo, and Business Insider, among others. Ben Kendrick is the former Content Director (and current film critic) of Screen Rant, CBR, and Collider as well as host of Podcast X, the Screen Rant Underground, and Total Geekall podcast.
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